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Notifiable Data Breaches (NDB) scheme

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  • TRAINING

    Designer and interior architect, I remain deeply attached to creative professions and manual work. After studying Art History and then Applied Arts, the encounter with clay today fertilizes my creative terrain.

  • CLAY

    The smell of the clay is familiar to me. I mainly work with stoneware. Treigny, Moutiers, are natural French red clays, coming from Burgundy in the Puisaye region. They have a noble texture and incomparable plasticity.

  • MATERIALS

    I've always started thinking about my architectural projects in terms of materials. This choice has always been a determining factor in my designs. Even today, this sensitivity to colors and textures, whether simple or superimposed, is the hallmark of my work.

  • VARIATIONS

    As an architect, I've always worked with the aim of mastering the unexpected and correcting defects. With clay, I rediscover discipline and mastery through gesture, but I don't erase the surprises; on the contrary, I let them sublimate. This idea of the beauty of imperfection makes the object unique.

  • FABRICA

    I missed making. I then sought to create ceramic objects that were in harmony with my architectural projects, my house or my table. Today I integrated some collections into my online store and opened the request for special orders.

  • GLAZES

    My glazes come from personal research. They are made and applied by me in my workshop.